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【】dgeotrihofearthwhere oneplaablesandfruitsandsitundfcrtheshadeoftrees.theese nerequiresthattheho,haryyard,andafew datetrees,stbeableteitselfdiouslyinspadgiven diousspaaaasinallruralcivilizations,thehouseitself dparativelylessiortantpositioninthegeneralscheofthe hogarden. hunuan otoairelyplat oidstofhhesueedsindigging afivefootpondtokeephisgoldfishandkingaundthattakeants fiveocrae. thereisnorepoultryyard,noch ebeesphysicallylikea pigeonshousecalledan”apartnt,”binationofbuttons,sches, cabis,rubberts,keyholes,se. therearenoattiehas gonesofarthatsoepeopleareevenproudofthefactthattheysleepona bedesofa.theyshoarvelat deteodespiritualhoisbrokenupbecause thephysicalhohasdisappeared,asedoveintoa threeroolatandthene. theaveragepooreseiryhasrespaceofhisohananewyork professor.butthereareeselivingincitiesasownhuge gardens. artnsistsindoinganfancies toeinahenotonyofblankpedbackyards.shenfu ddleeighteeury,authorofthefoushengliuchi,outlihistender littlebook,sthebestspiritofeseculture,hoholar theprincipleularityinese arent andsurprise,asentinthedesigningoftheris untryvillaasinthatofthepoorscholarsdhisix entofthisprinciple.h thisforlaakeevenapoorscholarshouse artistiulathathe largeiathellandthesllinthelarge,providefortherealinthe:nrealandforthe unrealinthereal.”shenfussays: astotheplanningofgardenpavilionsandtohouses,andinthedesigningofrockeryorthetrainingofflorees,oneshouldtrytoshow thesllinthelargeandthelargeinthesll,andprovidefortherealintheunreal andfortheunrealintherealonerevealsandncealsalteately,kingit sotisapparentandsotishidden.thisisnotjust”rhythcirregularity,” nordoesitdependonhavingaexpenditureoflabourand terial.pileupaundthegroundaeithrocks, xedbranchesforyourfendplantcreepersover theherehouthills.inthebigopen spaces,plantbaoosthatgrotreeshthickbrao verthethisistoshoallinthelarge.all,the binationofnvexandncaveshapes,deratedhgreen, vered.thus tofakyhillside,alivehrugged beauty.thisistoshoall.ntrivesothatanapparentlyblind alleyleadssuddenlyintoanopenspadthekitleadsthroughabackdoorinto anuedurtyard.thisistoprovidefortherealintheunreal.letadoorlead intoablindurtyardaheviebootreesandafew roethingthere.placeloradesalongthe topofaosuggestaroofgarde.thisistoprovidefor theunrealinthereal.poorscholarshe thodoftheboatninouativedistrileverarrashtheir litedspaodifications....y s,butby sucharrahets,thekitandtheparlourwereallarranged pingofspaesaid laughinglyto,”thearrasareexquisiteenough,but,afterall,itlacksthe atsphereofarishouse.”itwassoindeed. letusfollohesetures,apooresescholarandhis artisticapoor andsorrohejealousyofthegodsandafraidthattheir happinessynotlast. onepebblesofgreatbeauty .oningbackitalkeditoverhyiin,andsaid: ”peoplexputtyhhsiianesionebasinsbecausethelours ofthetentsblend.theyellohishill,ho,and althoughtheyareveryelegant,theyblendinlourhputty.we do””takesooftheintosllpieces andxtheybeforeitisdry,andperhapsisdryithe salour1soed,andusedaregularyihsihen pot,overountainpeako,ingdoions tht.onitsbackaderuggedsquarelinesliketho ...