第84节
, thenirose,lestthes,shortofleaves,hu. esyetthroughh theirdance thepaleonshhheir. hepeculiarlyeseending,easo thought,thepoetshielfisa littletoorebelliousfortheaverageesepoetry.theusualnoteisoneofsadness andresignation,asinsonyoftufuspoe,describingtheharassingeffectsof ple: icatoshihhaovillageandstayedthateve. abailiffcafanginthenight. theoldn,hearingthis,cliedoerthewall, andtheoldansahebailiffatthedoor. oh,hebailiffsvoicesoterrible, andansplaintsosoftandlow ”ihavethreesonsallattheniehgpost. aetosay theotherthebattledied. letthosethey, forthoseore. nohehousetheresonlygrandso; forhiistherstillreins梬ithout adetpattiattogoabout. althoughstrengthisebbingweakandlow, illgohyou,bailiff,inthefronttoserve. foriy,and torroardhurrytothehoyangfront.” 桽ospakethean,andinthenight,thevoice becasoloper. andintheingyshe; aloneshesaidgoodbyetoheroldn. thatisteristiftheartofrestraintandthefeelingofsadnessinese poetry.itgivesapicture,expressesasentint,andleavestheresttothereaders igination. ix.dra theeanpositioureandthat bodyofliteratureeanbytheternaly, literatureoftheiginatioer,includingthedrasanden inthepehkuaorveacularlanguage,andnsequentlyriddenh alstandards,andnstantlygrethatfreedobecause esedraticpositionhappeobelargelypoetry,itedas literatureonahigherlevelthanthenovels,andalstonaparhthetanglyrics. scholarsedtobeknoatiing novels.ontheasousorsubjectto debateliketheauthorshipofnovels. frooaginativeliteraturenstantlygrewin beautyandiortaisonitsown rits,aedaninfluenceoverthepeopleasnoalliteratureever sueededindoing. thishybridaatsforitspeculiarpositionand alsreatpopularinflueheesedraisabinationofdialogues inthespokenlanguage,heelligibletothepopulad songsenpartakeofahighpoeticquality.itsnatureistherefore entirelydifferentfrohatoftheionalenglishplay.theso shortintervalsandarereinprohanthespokenparts.asisnatural,the ianlovesandsorrooreoftenburstoutintosongs.actually,thetheatreisattended,frohe pointofvieoreforitssingingthanforitsag.one <,ratherthanto”see”it.it,therefore, thatthetranslationoftheesea”issleading,anditwouldbe repropertospeakofitasese”opera.” onlybyuandingtheofoperasothe people,aspositiorulyuood.forthe appealofthedra梕speodeenglishdra梚slargelyao theuanding,akesabinedappealtothesensesoflour, voiotion.thediufthedraisthespokenlanguage,but thatoftheoperaissidthesong,atheatregoertendsaplayexpectsto follobyitsnfliharacteranditssurprisesand yofa,andanoerispreparedtospendaneveningduringhhis intellebedandhissensessoothedbysidlourand song. thisaostdratiancesarenothattendinga sendti,althoughpeoplegotothesaoperasforthefiftiethtihoutlosing theedgeoftheirkeenenjoynt.thusitishtheesetheatre.thesocalled ghsi”pekingplays”hasageneralrepertoireoflessthanahundredpiecesh areplayedoverandainhoutlosingtheirpopularity.andthepeople applaudbyshouting”hao”invariablyattheariasostintenseor intria,andag isrelyanaainsoially thesalevelasthatofadonnas. theeseoer,therefore,appraisestheeseactoruhetwo categoriesofhis”singing”g}andhis”ag”chuo.butthissocalled ”ag”isofteeidnsistsofcertaiionalwaysof expressiions梚oustheshoglyinartisticheavingand sadonnaschest,andi,istooctalsthe ludicrous ayandagoodvoiofagisalosatisfythe audieaybebeautifulandeveryposea perfeeilanfangby arisisessentiallyrrect,althoughhouchofhissingingis apprearvelsathisbeautifulposesand gestures,hisgraceful,slongblackeyeb ...