第82节

    【】neesfroerverliontowers;

    thelightfloodsthepalacebowers.

    totheurtshees,andonhercarvedjadehairpin

    alightsadragonfly,assheisuntingtheflowers.

    thelinessuggesttothereaderthebeautyandfragrahofthecarvedjade

    hairpinandoftheladyherself,abeautyandfragrancehedragonfly.

    frohisiressionistiethodofsuggesting

    thoughtaintsboliking.thepoetsuggestsideas,not

    byverbosestatentsbutbyevokingaodsthereaderinthattrainof

    thought.suchthoughtsareasindefiheseisclearand

    vivid.piuthe

    saainchordsintheosuggesttheentrance

    ofharacters.logically,thereislittleioheseryandthe

    nsihoughts,butsyolicallyaionally,thereisaion.the

    thod,calledhsing,orevocation,isasaasthebookofpoetry.intary,

    forinstanbolic

    thod,entionihoughtstheelves.thushe

    pastgloriesofnankinginthefolloannerinhispoenapaintingof

    ling:

    therainontheriverisstlike,andthegrassonthebanksishigh.

    thesixdynastiespassedlikeadreaandforlosthebirdscry.

    stheartlessofallarethehepalacewalls,

    evennoilegreen,luridresplendourtheylie.

    thesilelongindhis

    nteorariesofthepastgloriesofostgloriousdays,andthe

    ntionofthe”heartlessanvicissitudesand

    naturesserenity.bythesateique,poghtiyi772846expressedhissadness

    overthepastgloriesoftangnghuangandyangkerelydrawinga

    piberidsgossipingiedpalace,

    houtoingintothedetailsoftheirdisurse:

    hereetyistheuntrypalace,etylikeadreainlonelinessandquietthered

    ierialflo.soberidsarechatting.

    e.

    ihedecayoftheblae

    eofthegreatilies:

    noheredsparroing,

    andontheblackgoheevningsunisglowing,

    andtheshewangandhsiehhalls,

    nonpeopleshos梬ithouttheirknowing.

    thelastandstiortantpointistheiofnaturalobje

    aotions,notbydirectpersonificationbutbying

    taphors,like”idleflohesadhechafingsparroc.the

    taphorsintheelvesarenothing:thepoetrynsistsispreadinghis

    etiohesotiontoliveand

    sharehisople,he

    threelelonggayandgreenoas”heartless”becausetheydid

    not,astheyoughtto,reerhoudsharethepoetsfeelingofpoignant

    regret.

    onluded

    hillside,hjustasiage,halldoorsclosedandasolitarypeachtreein

    fullblossotandingidlyinfront,apparentlyingitsfragrantgloryoed

    valley.istillreerthelasttyfriechedin

    hisnotebook:

    thefarrupletothefieldshavegone,

    anddeadboredaretheflosideitsdoors.

    isachieved,then,isapoeticfeelingforthepeachtree,supposedtobecapable

    ofbeing”bored”todeath,.thesateique,orrather

    attitude,isextrelyninallgoodesepoetry.so,forinstance,didlipo

    beginoneofhisbestpoe:

    lateattipassedtheverdanthills,

    aainonfolloeho

    or,inoneofhisbestknos,drinkingaloneuhe

    on;

    apotofidsttheflowers.

    aloneidrinksanspany.

    theoniinviteasdrinkingfriend,

    andyshadohree.

    theon,isee,shedoesnotdrink,

    shadoe:

    illkeeptheanyawhile,

    fsthetifayety.

    ising:theonsheswingsherhead;

    idance:shadoays

    togetherwhileawake,

    nways.

    aeal,speechlesstriothen,

    tillinthecloudseetagain

    thisisrethanataphor:itisapoeticfaithofunionh

    nature,akeslifeitselfpulsateaions.

    theexpressionofthispantheisrfellohnatureisbestillustratedintu

    fusquatrainsonsundryods,shoanizingofnature,a

    tenderfeelingforitsshaps,asheerdelightinitsntadfinallyaplete

    unionhit.sogoesthefirststanza:

    iseethetravellersunwakingsorrow.

    thevagabondspringseinaclatter.tooprofuselyricharetheflowers,

    toogarruloustheparrotschatter.

    theter”hereilyihespring

    andtheparrotsanquality.thenhelodgesaplaintagainstthebrutal

    night,hepeadpeartreesinbisyard:

    handplantedpeartreesarenotorphans

    theoldnsloheirhouse

    butthespring,

    lastnightitbrokesooftheirboughs

    thistenderfeelingforthetreesisrepeatedistanza:

    ehedoor.

    likeafifteenyearoldidens.

    hatithappened,

    theslobough,itsbest

    oheheoasabandonee,

    andthepeasontheer

    ghtythereregardedasenoffickle

    ...